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# 1132, книга: В складке времени
автор: Аскольд Павлович Якубовский

"В складке времени" - научно-фантастический роман Аскольда Якубовского, который погружает читателей в захватывающий и головокружительный мир межпространственных путешествий. История следует за группой ученых, возглавляемой талантливым физиком Александром. В поисках загадочной частицы бозона бозона, они изобретают устройство, способное создавать складки в пространстве. Изначально задуманное как инструмент для научных исследований, устройство вскоре раскрывает свой истинный...

СЛУЧАЙНАЯ КНИГА

В объятиях заката. Сандра Браун
- В объятиях заката

Жанр: Исторические любовные романы

Год издания: 1996

Серия: Коллекция Афродиты

Николай Владимирович Лакутин - Operational bachelorette party. Comedy. А play for 5 people

Operational bachelorette party. Comedy. А play for 5 people
Книга - Operational bachelorette party. Comedy. А play for 5 people.  Николай Владимирович Лакутин  - прочитать полностью в библиотеке КнигаГо
Название:
Operational bachelorette party. Comedy. А play for 5 people
Николай Владимирович Лакутин

Жанр:

Драматургия, Неотсортированное

Изадано в серии:

неизвестно

Издательство:

SelfPub

Год издания:

ISBN:

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Краткое содержание книги "Operational bachelorette party. Comedy. А play for 5 people"

Don't put a finger in these girls' mouths, because you never know what they will do in response to this or that action. But if there were no such girls, the world would not be so bright, emotional and saturated! Thank you, bright girls of this world!!!An explanatory note for the director is attached at the end of the play.


К этой книге применимы такие ключевые слова (теги) как: Самиздат,пьесы,современная драматургия,литературные сценарии,драматический театр,театр

Читаем онлайн "Operational bachelorette party. Comedy. А play for 5 people". [Страница - 14]

rejoicing, all the girl actresses come out.

Bow.

A curtain

Novosibirsk, January 2023

***

Dedicated to Tatiana Pavlova,

a former flight attendant.

She lived 69 years.

In 2022, she was gone.

I always remember the kind, open

smile of this pleasant, friendly

person.

With warmth, Nikolai Lakutin

***

Explanatory note for the director:

1. Not for staging in the Penza region!!! It is highly not recommended to install the original version in the Penza region. If you put, then all the jokes about the residents of Penza from the 3rd scene of the 2nd act should be removed. Although this episode with the name of Penza residents is not fiction, but no one likes to be laughed at. It is better not to take risks and not to touch on this topic at all when staging in the specified region.

2. There are several borderline jokes in this play. Every director knows his audience. Therefore, look at the situation. You think that somewhere it is better not to voice something — so be it. If you know that this particular audience will perceive certain moments with a bang — act boldly!

3. In the second act of the second scene "Oh, it's good-it's not good", Damira and Angelina communicate without words, after tumultuous tumbles with Marat's "gift". It is not necessary to use gestures, facial expressions and individual voice notes to try to convey the proposed version of a little discussion. You can have your own version, but + is close to the original one. In any case, the girls are emotionally and admiringly, exhausted from fatigue, trying to tell each other how good it was for them.

4. In the scenes where the girls (Xana and Angelina) look at the clock! You can beat them in different ways. They can look at a wristwatch, but then the watch must be provided on their hands (for example, a fitness bracelet). They can look at the wall clock, if they are provided by the scenography. You can simply watch the time on your smartphone. But the coolest thing would be if the clock would appear on a large monitor or on the wall from the projector. It would also switch the audience to an interesting directorial move, and in general it would be unusual, though troublesome.

..

These explanations and suggestions are optional for the production, all at the discretion of the director.

***

The conditions for staging the play are negotiated individually.

All the plays of Nikolai Lakutin are presented for review in open access on the official website of the author http://lakutin-n.ru the "Plays" section

Author's email Lakutin200@mail.ru

The cover photo of the play is borrowed from a free photo bank, under a Creative Commons license


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