Чарлз Стросс - Equoid

notice the discreet sign pointing up the drive to the Equine Veterinary Practice.

I amble into the yard of what looks like a former farmhouse. It’s been inexpertly fronted with a conservatory that houses a rather dingy reception area, complete with a bored-looking middle-aged lady tapping away on her computer while wearing an expression that says if it’s MySpace, she’s just been unfriended by the universe.

“Hello,” I ask her. She ignores me, intently tapping away at whatever so preoccupies her on her computer. “Hello?” I repeat again. “I’m here to meet Mr. Scullery? Is he around?”

Finally she deigns to notice me. “He’s on a job for the Department,” she says. “He won’t be available until Thursday—”

I let her see my teeth: “Perhaps you can tell him that Mr. Howard is here to see him? From the office in London. I assume it’s the same job we’re talking about.”

“He’s on a job for the—” Finally what I just said worms its way through her ears and into her brain—“I’m sorry, who did you say you were?”

“I’m Mr. Howard. I’ve come all the way down from London. About the Edgebaston brief.” I bounce up and down on my toes. “He asked for me, so if you’d just like to—”

She is already reaching for the phone. “Hello? Mr. Scullery? I have a Mr. Howarth from London, he says you asked for someone from London to help with Edgebaston Farm? Is that right? Yes—right you are, I’ll just tell him.” She puts the phone down and smiles at me in that very precise, slightly self-deprecating way farm-bred ladies of a certain class use to let you know that there’s nothing personal about the knee cap they’re about to deliver to your left nut: “Mr. Scullery says he’s running half an hour late and he’ll be with you as soon as he can. So if you’d like to take a seat in the waiting area? I’m sure he won’t be long.” She turns back to her computer as if I’m invisible. I hover indecisively for a moment, but I know when I’ve been dismissed; and so I go and find a waiting room seat to occupy (sub-type: wooden, elderly, not designed with human buttocks in mind) and mooch listlessly through the stack of magazines for space aliens that they keep on hand to distract the terminally bored.

Dear Robert,

I must confess that, pursuant to my reply to your last missive, I experienced no small degree of self-doubt as to the perspicacity & pertinence of my critique. If you will permit me to attempt to justify my equivocation, I would like to enter in my defense a plea of temporary insanity. Your confabulation, while a most excellent evocation of a legendary monster, bears special & most unpleasant personal resonances from my regrettable youth. It is not your fault that the heraldic beast you chose to depict in this form is a marvelous horror in my eyes; indeed, you must be somewhat puzzled by my reaction.

I regret to inform you that your description of the unicorn, while vivid in its adhesion to the classical description of same & sharply piquant in depicting his pursuit of the gamine subject of the narrative, is fundamentally inaccurate in both broad outline & fine detail. Explorers might once have sketched fanciful depictions of the Chinese Panda, but today we are fettered by the dour tyranny of camera & zoo; to diverge so drastically from the established order of nature is to risk the gentle reader’s willing suspension of disbelief. Regrettably, the horrid creature you caricature is all too real; it will in due course be a matter of the most mundane familiarity to readers, & familiarity inevitably brings such enthusiastic flights of fancy as your missive to grief on the cold stone flags of reality.

Please extend me your trust on this matter. Unicorns are not a suitable topic for romance or fantasy. On the contrary, the adult unicorn is a thing of dire & eldritch horror & I would advise you to pray to your creator that you live to a ripe old age without once encountering such a monstrous creature.

I, alas, was not so lucky & the experience has blighted my entire adult life…

I kill time waiting for the Man from Ag and Fish by working my way through a stack of glossy magazines for aliens. Passing over the princess-shiny pinkness of Unicorn School™: The Sparkling with a shudder, I work my way through a thought-provoking if slightly breathless memoir of “Police Cavalry v. Pinko Commie Striking Miners in the 1980s”—the thoughts it provoke focus on the urgent need to commit the author to an asylum for the violently insane—and am partway through reading a feature about modern trends in castration techniques (and how to care for your gelding) in Stallion World when the door slams open and a gigantic beard wearing a loud tweed suit explodes into the reception area: “Lissa! Melissa! I’m back! Can you tell Bert to hose out the back of the Landy? And fetch out the two sacks of oats behind the passenger seat! Where’s this man from the ministry? Ah, there you are! You must be Mr. Helmuth! I’m Greg Scullery. Pleased to meet you!”

He bounds across the reception area before I can put the magazine down and grabs my right hand, pumping it like a windlass while I’m still coming to my feet. Mr. Scullery is wiry and of indeterminate middle age. He could probably pass for a farmer with bizarre (albeit dated) sartorial taste—ghastly green tweed suit, check shirt, a tie that appears to be knitted from the intestines of long-dead badgers—but his beard is about thirty centimeters long, grizzled and salted and bifurcated. It has so much character that it’s probably being hunted by a posse of typographers. “Um, the name’s Howard. Bob Howard.” I try not to wince at the sensation in my hand, which feels as if it has been sucked into some kind of machine for extracting oil from walnuts. “I believe you requested backup? For some sort of infestation?”

“Yes! Yes indeed!” I remember my other hand and use it to make a grab for my warrant card, because I have not yet had an opportunity to authenticate him.

“Seen one of these before?” I ask, flicking it open in front of him.

The walnut-crusher shifts gear into a final grind-into-mush setting: “Capital Laundry Services? Oh yes indeedy! I was in the Rifles, you know. Back in my misspent childhood, haha.” The walnut slurry is ejected: my right hand dangles limply and I try not to wince conspicuously. “Jolly good, Mr. Howard. So. Have you been briefed?”

I shake my head, just as the bell above the reception area door jangles. A young filly is leading her mater in. They’re both wearing green wellies, and there’s something so indefinably horsey about them that I have to pinch myself and remember that were-ponies do not exist outside the pages of a certain bestselling kid-lit series. “Is there somewhere we can talk about this in private?” I ask Greg. “My manager said she didn’t want to prejudice me by actually telling me what this is about.”

His beard twitches indignantly while it sorts out an answer. “One of those, eh? We’ll see about that!” He turns towards reception, where Jocasta or Penelope is trying to evince a metabolic reaction from Melissa the receptionist, who is still deep in MySpace meltdown. “Lissa! Belay all that, I’m going out on a job with Mr. Howard here! If Fiona calls, tell her I’ll be back by five! Follow me.” And with that, he strides back out into the farmyard. I swirl along in the undertow, wondering what I’ve let myself in for.

Greg leads me across the yard to a Land Rover. I don’t know a lot about cars, but this one is pretty spartan, from the bare metal floor pan punctured by drain holes, to the snorkel-shaped exhaust bolted to one side of the windscreen. It’s drab green, there’s a gigantic --">